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Nicolas Alexis Simon BELLE
Parents
- Jean Baptiste BELLE 1641-1703
- ? ?
Union(s) et enfant(s)
-
Avec
? ?
dont
- Clément Louis Marie Anne BELLE 1732-1806
Événements
- 12 janvier 1674 :
- Naissance - Paris, Seine, Ile-de-France, France
- 1700 :
-
Autre événement : Distinction - Paris, Seine, Ile-de-France, France
Grand prix de Rome de peinture de l'Académie royale
- 1703 :
-
Autre événement : Élection - Paris, Seine, Ile-de-France, France
Académie des Beaux-arts
- 21 novembre 1734 :
- Décès
-
Profession : Artiste peintre
Peintre du Roy et de sa majesté Britannique.
Notes
Membre de l'Académie de Peinture. He was the son of the painter Jean Belle (d 1703) who apprenticed him to the portrait painter François de Troy.
<p>In 1670 Belle won the Grand Prix (Prix de Rome) of the Académie Royale, but he turned down the opportunity to complete his education at the Académie de France in Rome, preferring to build up a clientele in Paris.
<p>Not until 1701, the year he married the miniaturist Anne Chéron (1649 before 1718), however, did he become a court painter, moving to Saint Germain-en-Laye, where he worked for the exiled Stuart court.
<p>During this period he produced the portrait of Mlle Béthisy and her Brother as Children (Versailles, Château), a work that shows the influence of Rigaud and Largillierre, although without their freedom in composition and brilliance in brushwork.
<p>In 1703 Belle was received (reçu) by the Académie Royale on presentation of three portraits, including the masterly three-quarter lengths of François de Troy and of the sculptor Louis Lerambert (both Versailles, Château).
<p>He exhibited for the first time at the Salon the following year, and again when the Salon was revived in 1725. He painted numerous portraits of members of the French court and associated notables, among them those of Louis XV and of his one-time fiancée Maria Anna Victoria, Infanta of Spain, as well as those of Louis's wife Marie Leczinska and her father Stanislav I Leszczynski, King of Poland (all Versailles, Château).
<p>Engravings after Belle s work by, among others, Laurent Cars, François Chéreau I, Philippe Simonneau and the painter 's second wife, Marie-Nicole Horthemels (1689 after 1745), whom he married in 1722, attest to his contemporary importance.
<p>In 1670 Belle won the Grand Prix (Prix de Rome) of the Académie Royale, but he turned down the opportunity to complete his education at the Académie de France in Rome, preferring to build up a clientele in Paris.
<p>Not until 1701, the year he married the miniaturist Anne Chéron (1649 before 1718), however, did he become a court painter, moving to Saint Germain-en-Laye, where he worked for the exiled Stuart court.
<p>During this period he produced the portrait of Mlle Béthisy and her Brother as Children (Versailles, Château), a work that shows the influence of Rigaud and Largillierre, although without their freedom in composition and brilliance in brushwork.
<p>In 1703 Belle was received (reçu) by the Académie Royale on presentation of three portraits, including the masterly three-quarter lengths of François de Troy and of the sculptor Louis Lerambert (both Versailles, Château).
<p>He exhibited for the first time at the Salon the following year, and again when the Salon was revived in 1725. He painted numerous portraits of members of the French court and associated notables, among them those of Louis XV and of his one-time fiancée Maria Anna Victoria, Infanta of Spain, as well as those of Louis's wife Marie Leczinska and her father Stanislav I Leszczynski, King of Poland (all Versailles, Château).
<p>Engravings after Belle s work by, among others, Laurent Cars, François Chéreau I, Philippe Simonneau and the painter 's second wife, Marie-Nicole Horthemels (1689 after 1745), whom he married in 1722, attest to his contemporary importance.
