♂ Leopold LASH

{\rtf1\ansi\ansicpg1252\cocoartf2636
\cocoatextscaling0\cocoaplatform0{\fonttbl\f0\fnil\fcharset0 AvenirNextCondensed-Italic;\f1\fnil\fcharset0 AvenirNextCondensed-Regular;\f2\fswiss\fcharset0 Helvetica-Bold;
\f3\fnil\fcharset0 AvenirNextCondensed-Bold;}
{\colortbl;\red255\green255\blue255;\red38\green38\blue38;\red32\green34\blue31;\red231\green231\blue230;
\red69\green112\blue67;\red52\green58\blue52;\red85\green85\blue85;\red255\green255\blue255;}
{\*\expandedcolortbl;;\cssrgb\c20000\c20000\c20000;\cssrgb\c16471\c17647\c16471;\cssrgb\c92549\c92549\c92157;
\cssrgb\c33333\c50588\c33333;\cssrgb\c26667\c29020\c26667;\cssrgb\c40784\c40784\c40784;\cssrgb\c100000\c100000\c100000;}
\deftab720
\pard\pardeftab720\partightenfactor0

\f0\i\fs24 \cf0 Etude r\'e9alis\'e9e dans le cadre de l'histoire des habitants du 38 rue Ramey Paris 18\'e8me\
Merci de me contacter si vous avez des informations sur ces personnes\
\
\
\pard\pardeftab720\partightenfactor0

\f1\i0 \cf2 \expnd0\expndtw0\kerning0
LEE LASH, who figures prominently in the art circles of San Francisco, is a native of Vancouver.\'a0His parents, early settlers of California, went up to that island and the year following his birth returned to this State, where he was reared and attended school.\'a0Having a taste for art, he began his studies under Wandesford and the Italian Toyetti, subsequently going to Paris and continuing his art studies there under Boulanger and Lefebvre.\'a0He made rapid advancement in his work and his picture, the \'93Old Sailor\'92s Home,\'94 attracted much attention in the salon there; his work has also been seen in the New York and Chicago exhibitions.\'a0His subject, the \'93Death Watch,\'94 was exhibited in the Universal Exhibition at Paris, and received favorable mention.\cf0 \
\cf2 After remaining abroad eight years, Mr. Lash returned to San Francisco, opened his studio, and began his noted painting, \'93Life in the Olympic Club.\'94\'a0This is a large painting of fifty-three figures, half life-size, and is the first ever done of the kind.\'a0Mr. Lash gives his whole time and attention to his profession, and for one so young has attained much prominence.\'a0He is one of the instructors in the San Francisco Art Association.\cf0 \
\cf2 *Note: the Index lists his first name as Lee.\cf0 \
\cf2 \'a0\cf0 \
\cf2 Transcribed by 11-17-06 Marilyn R. Pankey.\cf0 \
\cf2 Source: "The Bay of San Francisco," Vol. 2, \cf0 Page 173\cf2 , Lewis Publishing Co, 1892.\
\
\pard\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\pardeftab720\pardirnatural\partightenfactor0
\cf0 \kerning1\expnd0\expndtw0 LEE LASH, qui figure en bonne place dans les cercles artistiques de San Francisco, est originaire de Vancouver. Ses parents, premiers colons de Californie, sont all\'e9s jusqu'\'e0 cette \'eele et l'ann\'e9e suivant sa naissance sont revenus dans cet \'c9tat, o\'f9 il a \'e9t\'e9 \'e9lev\'e9 et a fr\'e9quent\'e9 l'\'e9cole. Ayant le go\'fbt de l'art, il commence ses \'e9tudes aupr\'e8s de Wandesford et de l'italien Toyetti, se rend ensuite \'e0 Paris et y poursuit ses \'e9tudes artistiques aupr\'e8s de Boulanger et Lefebvre. Il a fait de rapides progr\'e8s dans son travail et son tableau, la \'ab\'a0Maison du vieux marin\'a0\'bb, a attir\'e9 beaucoup d'attention dans le salon de l\'e0-bas\'a0; son travail a \'e9galement \'e9t\'e9 vu dans les expositions de New York et de Chicago. Son sujet, la "Death Watch", a \'e9t\'e9 expos\'e9 \'e0 l'Exposition universelle de Paris, et a re\'e7u une mention favorable.\
\
Apr\'e8s \'eatre rest\'e9 huit ans \'e0 l'\'e9tranger, M. Lash est retourn\'e9 \'e0 San Francisco, a ouvert son atelier et a commenc\'e9 sa c\'e9l\'e8bre peinture, "La vie au club olympique". Il s'agit d'un grand tableau de cinquante-trois personnages, \'e0 moiti\'e9 grandeur nature, et c'est le premier jamais r\'e9alis\'e9 du genre. M. Lash consacre tout son temps et toute son attention \'e0 sa profession, et pour quelqu'un de si jeune, il a atteint une grande importance. Il est l'un des instructeurs de la San Francisco Art Association.\
\
*Remarque : l'Index r\'e9pertorie son pr\'e9nom comme Lee.\
\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\'97\
Lee Lash (1864-1935) was a friend and colleague of Thomas G. Moses (1856-1934). They worked together when Moses was working in New York City and living in Mount Vernon, New York. Moses & Hamilton Studio operated in the area rom 1900 to 1904. There is even a newspaper clipping that shows Moses painting in the Lee Lash studios, possibly next to his partner William F. Hamilton. Moses pasted this clipping in his scrapbook. Lash is quite an interesting artist and studio owner, especially in lightof his exploits as told by William Chambliss in 1895 (see post 578).\
Lash was born in Vancouver, British Columbia, during 1864. Isador Lash moved his family to San Francisco in the following year. There, Lee and his brother Sam attended public schools before focusing on art. In his early teens Lash was a pupil of artists Juan B. Wandesforde and Domenico Tojetti. He then journeyed to Europe for further artistic instruction. He traveled to Paris where he studied with artists Jules J. Lefebvre(1836-1911) and Gustave Boulanger (1824-1888) at the Acad\'e9mie Julian. Lash received a positive reception at the Paris Salons. After eight years of study from 1881 to 1889 in Europe, he returned to the United States.\
An 1889 newspaper article reported, \'93Lee Lash, a San Franciscan whose work in France and abroad, and whose picture in the last Salon was praised by the French critics, has returned to this city. Eight years Mr. Lash spent in Europe. He brought with him many pictures of great merit, through which the terms of his apprenticeship and mastery may be noted\'94 (San Francisco Chronicle, 27 Oct. 1889, page 12). Upon his return, Lash established a studio in San Francisco and taught at the School of Design from 1891-1893. It was during this time that he had the altercation with William H. Chabliss and \'93borrowed\'94 Charles D. Smith\'92s idea for the development of American advertising curtains.\
An 1889 newspaper article reported, \'93Lee Lash, a San Franciscan whose work in France and abroad, and whose picture in the last Salon was praised by the French critics, has returned to this city. Eight years Mr. Lash spent in Europe. He brought with him many pictures of great merit, through which the terms of his apprenticeship and mastery may be noted\'94 (San Francisco Chronicle, 27 Oct. 1889, page 12). Upon his return, Lash established a studio in San Francisco and taught at the School of Design from 1891-1893. It was during this time that he had the altercation with William H. Chabliss and \'93borrowed\'94 Charles D. Smith\'92s idea for the development of American advertising curtains.\
\
Lash was reported as having advertising curtains in 1700 American theatres that brought in more than $250,000 during the hey day of vaudeville (Star-Gazette, 4 March, 1973, page 7). One of Lash\'92s employees was Paul V. McTighe was tasked with visiting every playhouse on the Subway Circuit twice each month to make sure that the Lee Lash curtains were being displayed according to contract. McTighe also worked as a bell-captain at the Flanders Hotel.\
Most of Lash\'92s curtains carried their own ad block:\
\'93If in this world, you\
Hope to rise,\
By a balloon, or\
advertise.\'94 (Star-Gazette, 4 March, 1973, page 7).\
The 1922 publication of American Elite and Sociologist Bluebook reported Lash to be \'93Business President and Director, of 1476 Broadway, New York City; and a member of various clubs and societies. He is president of the Lee Lash Studio of Mount Vernon, N. Y. He is chairman of the board of directors of the Hugo Gedro Studios; and the president of the Lee Lash Company, and of the Lee Lash Company, Incorporated. He resides at Mount Vernon, N.Y.\'94 (page 319).\
Harry J. Kuckuck, who had joined Lee Lash in 1892, eventually purchased the company by 1926. At that point, the studio name was changed to H. J. Kuckkuck\'92s Lee Lash Studio. It remained in operation for another twenty years, until the time of hisdeath in 1945. A sign with that name was once attached to the Hershey Theatre fire curtain\'92s controlling mechanism and is now part of the Hershey Story Museum on Chocolate Avenue (Here is the link to the artifact: https://hersheystory.pastperfectonline.com/webobject/06263EA9-4F35-41C2-A565-438659853932).\
\
Sign noting curtain installation by Kuckuck\'92s Lee Lash Studios. This once hung in the Hershey Theatre\
Lee Lash retired after the\'a0{\field{\*\fldinst{HYPERLINK "http://archives.nypl.org/the/22147"}}{\fldrslt stock market crash}}\'a0in 1929, but he continued to do fine art pieces. In 1935 he exhibited his paintings for a one-man show in New York. There are many Lee Lash artifacts, dating from 1912-1941, in the New York Public Library Archives & Manuscripts.http://archives.nypl.org/the/22147\
Here is the overview for the NYPL Lee Lash Studio Designs collection: 11 boxes (ca. 381 drawings); 2 boxes (ca. 180 photographs). The collection is held in the Billy Rose Theatre Division and contains original designs for curtains, drops, olio curtains, nightclubs, set designs, parts of set models, and photographs of designs by Lee Lash Studios. Most designs are color on paper or board and are unidentified, although many are numbered. Identified set designs include the play \'93Bet Your\'a0Life\'94 by Fritz Blocki and Willie Howard (John Golden Theatre, 1937), and designs for the motion picture \'93Everybody\'92s Girl\'94 (ca. 1918).\
To be continued\'85\
\
Author: waszut_barrett@me.com\
Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgottenscenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America\'92s Marquee, InitiativeTheatre Museum Berlin\'92s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today\'92s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera. {\field{\*\fldinst{HYPERLINK "https://drypigment.net/author/waszut_barrettme-com/"}}{\fldrslt View all posts by waszut_barrett@me.com}}\
\
One thought on \'93Tales from a Scenic Artist and Scholar. Part 579 \'96 Lee Lash\'94\
\
Marianne Rezaei-Kamalabad says: Hi My name is Marianne Rezaei-Kamalabad. I was reading your site because I think my grandfather Joseph W Murphy may have worked for Lee Lash. in the very early 1900\'92s. He later open a Scenic Design Studio in Boston, Aladdin Scenic Company. I just found a site called curtainswithout borders and found that a \'93Grande Drape\'94 that my grandfather painted is in Hancock, NH. I only have a few photos of his work so I am excited to go see this work. I thought you might be interested in this site because they mention Lee Lash in their catalog of Scenic Artists and have work by Lee Lash cataloged.\
\
\
\pard\pardeftab720\partightenfactor0
\cf3 \cb4 \expnd0\expndtw0\kerning0
Artist Lee Lash (1864-1935)\cf0 \cb1 \
\cf3 \cb4 Lee Lash was a landscape and townscape painter as well as a designer. He was born in Vancouver, BC in 1864, and from 1865 onwards was brought up in San Francisco where he attended public schools. In his teens he studied art with Juan B. Wandesforde and Domenico Tojetti. He then traveled to Paris where he studied with Boulange and Lefebvre.\cb1 \
\cb4 At the Paris Salons his work was acclaimed and after eight years in Paris, he established a studio in San Francisco and taught at the School of Design from 1891-1893.\cf5 [i]\cf3 \cb1 \
\cb4 Lash also began a theater curtain advertising business in 1893 backed by financier, William Chambliss. According to the Chambliss diary, Lash said, \'93I am in a position which I cannot risk by going into trade. Sign painting is trade you know, and I am an artist.\'94 Subsequently Lash began a family business called \'93Art Advertising Company.\'94 Apparently he got over the idea that the advertising business was vulgar \'93trade,\'94 because it is said that he even got up on a scaffoldto add some finishing touches to a bicycle advertisement, and the scaffolding fell down and almost killed him.\cf5 [ii]\cf3 \cb1 \
\cb4 By 1895 he had moved to New York City and had two \'93curtain advertising enterprises\'94 called Lee Lash Studios, \'96one in New York, and the other in Philadelphia. We know that this business continued until at least 1922, because the Townshend Lash Studio curtain bears that date. We have evidence that Lash remained in New York and also continued to create fine art until at least 1935 \cf5 [iii]\cf3 \'a0when he would have been about 70 years old. Many of his paintings of New York and elsewhere are now offered for auction on the AskArt website.\cb1 \
\pard\pardeftab720\partightenfactor0
\cf6 \cb4 Footnotes\cb1 \
\pard\pardeftab720\partightenfactor0
\cf3 \cb4 i. The foregoing information is from \ul Artists in California\ulnone , 1786-1940 by Edan Milton Hughes, 1989, courtesy of askart.com/theartist.asp This site includes photos of paintings by Lee Lash which are apparently for sale. (See attached.)\cb1 \
\cb4 ii. Chambliss, William H., \ul Chambliss\'92 Diary: Or, Society As It Really Is\ulnone , 1895: NY, Chapter 27. Library of Congress, \'93California as I Saw It:\'94 First-Person Narratives of California\'92s Early Years, 1849-1900.\cb1 \
\cb4 iii. Lash would have been 70-71 years old in 1935.\
\
\pard\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\pardeftab720\pardirnatural\partightenfactor0
\cf0 \cb1 \kerning1\expnd0\expndtw0 Lee Lash 1864-1935 Impressionist Artist - Turn of the century Stunning painting in the style of Claude Monet. A painter, Lee Lash was born in Vancouver, BC in 1864 and from 1865, was brought up in San Francisco where he attended public schools. In his teens, he studied art with Juan B Wandesforde and Domenico Tojetti and then traveled to Paris where he studied with Gustave Boulanger and Jules Lefebvre. At the Paris Salons his work was acclaimed, and after eight years in Paris, he established a studio in San Francisco and taught at the School of Design from 1891 to 1893. By 1935, he had moved to New York, and after that no record has been found of him.Up for auction is this fine antique impressionismoil painting on board which the Artist Lee Lash did a lot on. Not only did he sign it but on the back he sighed it again to Moore Smith which adds to this special painting. The frame looks original and period correct. I have found records of his paintings selling in the thousand of dollars so this is your chance to get a fine impressionism oil painting from the turn of the century. I have set the reserve is low and if this painting is not as I have described it I would refund your money, I take pride in shipping read my feed back Good Luck Bidding\
\
Lee Lash 1864 \'96 1935 Peintre d\'e9corateur am\'e9ricain\
El\'e8ve de Boulanger et Lefebvre\
AJ 1880-86\
Lee Lash est n\'e9 \'e0 Vancouver, en Colombie-Britannique et a v\'e9cu \'e0 San Francisco. Des son adolescence, il a \'e9tudi\'e9 l'art avec\'a0 Juan B Wandesforde et Domenico Tojetti puis s'est rendu \'e0 Paris o\'f9 il a \'e9tudi\'e9 \'e0 l\'92Acad\'e9mie Julian. \'c0 Paris son travail sera acclam\'e9 au Salon de Paris, et apr\'e8s huit ans dans la capitale, il cr\'e9\'e9 son studio \'e0 San Francisco et enseigne \'e0 la Design School de 1891 \'e0 1893.\
\
\pard\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\pardeftab720\pardirnatural\partightenfactor0
{\field{\*\fldinst{HYPERLINK "https://www.invaluable.com/artist/lash-lee-lh8gigmx77/sold-at-auction-prices/"}}{\fldrslt \cf0 https://www.invaluable.com/artist/lash-lee-lh8gigmx77/sold-at-auction-prices/}}\
\
Lee Lash (1864-1935) was a friend and colleague of Thomas G. Moses (1856-1934). They worked together when Moses was working in New York City and living in Mount Vernon, New York. Moses & Hamilton Studio operated in the area from 1900 to 1904. Thereis even a newspaper clipping that shows Moses painting in the Lee Lash studios, possibly next to his partner William F. Hamilton. Moses pasted this clipping in his scrapbook. Lash is quite an interesting artist and studio owner, especially in lightof his exploits as told by William Chambliss in 1895 (see post 578).\
Lash was born in Vancouver, British Columbia, during 1864. Isador Lash moved his family to San Francisco in the following year. There, Lee and his brother Sam attended public schools before focusing on art. In his early teens Lash was a pupil of artists Juan B. Wandesforde and Domenico Tojetti. He then journeyed to Europe for further artistic instruction. He traveled to Paris where he studied with artists Jules J. Lefebvre(1836-1911) and Gustave Boulanger (1824-1888) at the Acad\'e9mie Julian. Lash received a positive reception at the Paris Salons. After eight years of study from 1881 to 1889 in Europe, he returned to the United States.\
An 1889 newspaper article reported, \'93Lee Lash, a San Franciscan whose work in France and abroad, and whose picture in the last Salon was praised by the French critics, has returned to this city. Eight years Mr. Lash spent in Europe. He brought with him many pictures of great merit, through which the terms of his apprenticeship and mastery may be noted\'94 (San Francisco Chronicle, 27 Oct. 1889, page 12). Upon his return, Lash established a studio in San Francisco and taught at the School of Design from 1891-1893. It was during this time that he had the altercation with William H. Chabliss and \'93borrowed\'94 Charles D. Smith\'92s idea for the development of American advertising curtains.\
Lee Lash Studios opened in San Francisco during 1892, founded by himself and his brother, Samuel Lash. In 1893, the brothers moved their theatrical curtain company to Philadelphia, and a few years later established a second studio in New York City.By 1895 Lash\'92s two curtain advertising enterprises were continuing as successful endeavors. There is some debate as to when the New York Studio was establish; some records note 1895 and others 1898. At first their New York studio was located atThirtieth Street and Broadway, but moved several times over the next decade. By 1910, Lash built a studio in Mount Vernon, N.Y. By now, the firm was doing much more than ad drops and drop curtains. They were also building scenery for shows designed by others, often featuring well-known scenic artists as \'93staff supervisors\'94 for premiere productions. Lee Lash\'92s studio became heralded as one of the best in the country, a very large outfit that could produce up to thirty curtains at one time.\
\
Lash was reported as having advertising curtains in 1700 American theatres that brought in more than $250,000 during the hey day of vaudeville (Star-Gazette, 4 March, 1973, page 7). One of Lash\'92s employees was Paul V. McTighe was tasked with visiting every playhouse on the Subway Circuit twice each month to make sure that the Lee Lash curtains were being displayed according to contract. McTighe also worked as a bell-captain at the Flanders Hotel.\
Most of Lash\'92s curtains carried their own ad block:\
\'93If in this world, you\
Hope to rise,\
By a balloon, or\
advertise.\'94 (Star-Gazette, 4 March, 1973, page 7).\
The 1922 publication of American Elite and Sociologist Bluebook reported Lash to be \'93Business President and Director, of 1476 Broadway, New York City; and a member of various clubs and societies. He is president of the Lee Lash Studio of Mount Vernon, N. Y. He is chairman of the board of directors of the Hugo Gedro Studios; and the president of the Lee Lash Company, and of the Lee Lash Company, Incorporated. He resides at Mount Vernon, N.Y.\'94 (page 319).\
Harry J. Kuckuck, who had joined Lee Lash in 1892, eventually purchased the company by 1926. At that point, the studio name was changed to H. J. Kuckkuck\'92s Lee Lash Studio. It remained in operation for another twenty years, until the time of hisdeath in 1945. A sign with that name was once attached to the Hershey Theatre fire curtain\'92s controlling mechanism and is now part of the Hershey Story Museum on Chocolate Avenue (Here is the link to the artifact: https://hersheystory.pastperfectonline.com/webobject/06263EA9-4F35-41C2-A565-438659853932).\
Lee Lash retired after the\'a0{\field{\*\fldinst{HYPERLINK "http://archives.nypl.org/the/22147"}}{\fldrslt stock market crash}}\'a0in 1929, but he continued to do fine art pieces. In 1935 he exhibited his paintings for a one-man show in New York. There are many Lee Lash artifacts, dating from 1912-1941, in the New York Public Library Archives & Manuscripts.http://archives.nypl.org/the/22147\
Here is the overview for the NYPL Lee Lash Studio Designs collection: 11 boxes (ca. 381 drawings); 2 boxes (ca. 180 photographs). The collection is held in the Billy Rose Theatre Division and contains original designs for curtains, drops, olio curtains, nightclubs, set designs, parts of set models, and photographs of designs by Lee Lash Studios. Most designs are color on paper or board and are unidentified, although many are numbered. Identified set designs include the play \'93Bet Your\'a0Life\'94 by Fritz Blocki and Willie Howard (John Golden Theatre, 1937), and designs for the motion picture \'93Everybody\'92s Girl\'94 (ca. 1918).\cf2 \expnd0\expndtw0\kerning0
\
\pard\pardeftab720\partightenfactor0
\cf2 \
\pard\pardeftab720\qj\partightenfactor0

\f2\b\fs23\fsmilli11760 \cf7 \cb8 \
\pard\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\pardeftab720\pardirnatural\partightenfactor0

\f3\fs24 \cf0 \cb1 \kerning1\expnd0\expndtw0 Archives Nationales
\f1\b0 \
INVENTAIRE Cote(s) : AJ/52/1-AJ/52/507, AJ/53/1-AJ/53/166\
Archives de l'\'c9cole nationale sup\'e9rieure des beaux-arts et de l'\'c9cole nationale sup\'e9rieure des arts d\'e9coratifs\
Extrait de la notice :\
ARCHIVES DE L'ECOLE NATIONALE SUPERIEURE DES BEAUX-ARTS (aj/52/1-aj/52/507)\
LIASSES (aj/52/438-aj/52/507)\
\'c9l\'e8ves (aj/52/464-aj/52/473)\
\'c9l\'e8ves \'e9trangers. 1878-1928. (aj/52/470)\
III. Lettres de pr\'e9sentation d'\'e9trangers par leurs ambassades, donnant l'\'e9tat civil de l'\'e9l\'e8ve, l'indication de sa qualification, parfois la mention de son professeur chef d'atelier \'e0 l'\'c9cole. 1878-1902.\

\f3\b Lash (Lee), Am\'e9ricain, 1881. -\
}